Showing posts with label mashed poems. Show all posts
Showing posts with label mashed poems. Show all posts

Friday, 27 June 2008

cuckoo cut grass

O the cuckoo she's a pretty bird
Like lanes of Queen Anne's lace.
She singeth as she flies
At summer's moving pace.

Beneath the high-builded clouds
Like hedges snowlike strewn,
She bringeth good tidings
Of young-leafed June.

She telleth no lies
For to keep her voice clear:
"Long,long the death
Of the summer drawing near."

Yet the more she singeth cuckoo
Briefer is the breath
For the chestnut flowers
Till their hours of death.

Then the white lilac she sucketh,
Their white flowers exhale.
Their mown stalks are lost and bowed
And like cut grass, lies frail.




mashed sauces

The two poems in this mash-up come from the Seamus Heaney/Ted Hughes edited Rattle Bag, an anthology of poems arranged in alphabetical order so as to allow the poems to "discover themselves."

The two poems that discovered themselves to me were the anonymous The Cuckoo and Philip Larkin's Cut Grass. Both on the same page, they juxtaposed the euphoric and pessimistic views of summer. Nevertheless, both poems traced a similar vocabulary, diction and rhythm. They were calling out to be made one.

Friday, 9 February 2007

the coming dunciad

Things fall apart; the centre cannot hold
Lo! thy dread Empire, CHAOS! Is restor'd;
Thy hand, great Anarch! Lets the curtain fall
Mere anarchy is loosed upon the world.
The darkness drops again; but now I know
Light dies before thy uncreating word.
The ceremony of innocence is drowned
And Universal Darkness buries All.




mashed sauces

W.B. Yeats, "The Second Coming".

Alexander Pope, "The Dunciad, Book IV".

This mash-up was born in the writing of a paper on Pope and Yeats. If things indeed are falling apart, the first two lines strangely fell together like peas in a pod in my head. There is a certain amount of irony that I enjoy in this mash-up, particularly as it is the first for this blog; and that is that both Pope and Yeats were striving in their poetry against the very loss of "original" form and "crass" hacking that remix and mash-up culture finds such depth, fun and profundity in.